El artículo reexamina individualmente los escasos testimonios pre-clásicos en los que se verifica por primera vez el término bárbaros. Se instrumentará un enfoque discursivo en relación con la ocurrencia del término en las fuentes arcaicas -atento al plano morfosintáctico, semántico y pragmático- con el objeto de obtener indicios y formulaciones de conjunto que puedan enriquecer el debate en torno a la génesis de la voz bárbaros y, en especial, contribuir a echar luz sobre las múltiples connotaciones semánticas que adquirirá el (...) término en su diseminación y proliferación en la etapa posterior a las Guerras Médicas. The paper reexamines individually the sparse pre-classical sources containing the term bárbaros. The analysis of the extant archaic evidence adopts a discursive approach -which encompasses morphosyntactic, semantic and discourse-pragmatic features- in an attempt to shed light on the still much-debated origin of the word bárbaros and, notably, on the manifold semantic connotations the word bárbaros later acquires as its use becomes pervasive in the aftermath of the Persian wars. (shrink)

El trabajo propone un análisis discursivo del diálogo entre Jerjes y Demarato previo al ataque persa contra los griegos, dramatizado por Heródoto en 7. 101-104. Se examina la interacción entre los interlocutores a los fines de: a) identificar los roles discursivos y estrategias argumentativas puestas en juego por ambos participantes, b) analizar las identidades sociales construidas en la interacción y la eventual -y remisa- demarcación de un éthos griego y bárbaro, c) especular sobre el significado del episodio en el contexto (...) de las Historias y las connotaciones ideológicas de la presunta relación entre la autocracia persa y la realeza espartana. The paper offers a discursive analysis of the dialogue between Xerxes and Demaratus, prior to the Persian attack on the Greeks, as dramatized in Herodotus 7. 101-104. The interaction between the interlocutors is closely explored in order to: a) outline the discursive roles and argumentative strategies deployed by either participant, b) address the social identities constructed throughout the interaction and the prospective, albeit hazy, delineation of a Greek and barbarian éthos, c) speculate on the significance of the episode in the context of the Histories and the ideological implications of the alleged relationship between the Persian autocracy and Spartan kingship. (shrink)

Leonardo Bruni’s De intepretatione recta has recently produced a growing body of literature which has improved our knowledge of the genesis, background and content of the work, as well as its pivotal role in the early history of translation and the humanist intellectual agenda. This article focuses on the conceptual metaphor which shapes Bruni’s understanding of the art of translation: the ‘Translation as Painting’ model. Drawing on a theoretical framework which stresses the cognitive value of metaphors, this article highlights the (...) structural function of the ut pictura metaphor in Bruni’s treatise, eliciting both its classical sources, its resonance in the early fifteenth century and its semantic-pragmatic force in characterising translation. Bruni’s novel conceptual template maps onto the larger cultural background of early humanist thought on interpretatio, imitatio and the visual arts. (shrink)